Tuesday, 5 July 2016

The Last Act

...
All the world's a stage,
And all the men and women merely players;

They have their exits and their entrances;
...

It is quite a wonderful phenomenon to see legends performing their final swan-song. It stirs in us a feeling of wistfulness and excitement simultaneously. The heart aches for an encore of their best moments while the mind wrestles and succeeds into advising the heart that rational thinking will always prevail.


The above three players displayed their skills with elan and humility is ingrained into everyone of them.There were many but in the current era, these three names spring to mind. The first has retired from active play, the middle is performing his final act and the person on the right is still active on one part of the circuit. Watching them play their games instigated a sense of awe and joy in us. Sooner than later, Federer and Messi will stop plying their trade leaving in their wake a feeling of sadness and nostalgia among fans.

The name Roger Federer evokes so many emotions in a sports fan. It associates itself with a calm demeanour, success, restrained emotions, human to some and alien to rest, and what-not. The present generation would feel unlucky not to have born sooner to witness and understand this legend's acquiring of the baton from another legend of the game, Pete Sampras. I, for one, was hardly 10 when he won the first of his 17 Major titles. As the newspapers raved and ranted on the new kid on the block, I couldn't fathom the reason behind all this frenzy. It was just a player winning one Grand Slam. Though that was and still is quite big a deal, I wondered about his ability to sustain it. Yes, I was quite aware even then of what winning a Major meant and I had even heard about this player Goran Ivanisevic who had won only a single Major. That was two years prior to Federer's first Major. Associating myself with that, I had my reservations on whether this player could sustain the success. But then, the experts had other ideas. Of course, they had played and analysed the game for decades. They knew better. Quite aptly was the statement penned, "Pete Sampras has passed the mantle to the next generation epitomised by Roger Federer". I am not paraphrasing, but this was what the media reports more or less meant back then.

Growing up, I had heard tales of the fierce on-court rivalry between John McEnroe and Bjorn Borg from my parents and relatives. I watched their matches on YouTube and on TV, soaking in the serve-and-volley feast they dished out. A more-than-cursory interest in analytics of the game meant I watched and re-watched their foot and hand movements. And I began comparing their play to Federer's. His net-play was exquisite. So were his forehand winners. But what piqued me was his single-handed backhand. That was the first time I was watching anyone play a one-handed backhand. To accurately land the ball into opponent's territory with suitable power using one hand enthralled my senses. I was hooked to his game. I did not know then that this very stroke would eventually prove to be his undoing.

The game was changing. Racquets sported a different look and every player began chiselling his body to exert more power on the ball. Tennis was in transition and science was its epicentre. Serve-and-volley was dying a slow death giving birth to baseline play or as some term it, baseline slugging. Borg and McEnroe built grace into the game and that guaranteed success in their time, It apparently wasn't to be when Federer arrived on the scene. But Federer did exactly that. He played the game wth grace and with power. A delicious blend of the two elements resulted in a decade of feast for tennis fans all over the globe.

As Federer began amassing titles, Rafael Nadal was emerging. Closely following him was Novak Djokovic and Andy Murray. Nadal displayed an altogether different aspect of the game. Raw power and immense physical endurance. That wasn't enough to defeat Federer then. Gradually, physicality overpowered grace and Federer began his descent from the peak. Occasionally were there moments when Federer's brilliance shone through but that was the exception rather than the norm. The tears after his Australian Open final loss in 2009 made fans realise that he too was human. They began to accept that further successes of Federer would have to be digested with a bitter pill.

And then came Djokovic to overpower Nadal and dole him out a generous taste of his own medicine. Rivalry in men's tennis has now been extinguished and replaced by the field trying to defeat one man with supreme physical and tennis skills.


Saturday, 13 February 2016

Where to Draw the line?



There’s this old joke that if Sita, Lord Rama’s wife in the Ramayana, played cricket, then she would never bowl a legal delivery ! Why so?

Because she would always cross the line ( Lakshman Rekha)and it becomes a no-ball!

Well jokes apart, there has arisen a serious question in international cricket -Where to draw the line? This is not only due to the rise of technology, but also due to the evolution of the game itself.

Technology in Cricket

Is technology really a deterrent? How is technology a deterrent? These questions look contradictory but only by answering them, we get a complete picture. Major use of technology in cricket started, with the use of television replays by the third umpire. It was in 1992 that a television replay showed Sachin Tendulkar short of his crease and eventually was run out by Jhonty Rhodes. Since then, replays have been really effective in making crucial turnarounds to the game-play. Now we get to the second question. How is this wrong? Asking for a replay to check for a close run-out or a stumping is okay, but nowadays when the third umpire is being referred to for a close catch or a stumping, the third umpire also mandatorily checks whether the bowler has bowled a no-ball. Just because there is technology available for perusal, is it right to completely overlook the on-field umpires? The fact that the umpire has gone upstairs to check whether it is a dismissal itself means that he is sure that the delivery is legal. So why start all over again and overlook him by checking for a no-ball first, and then for the legality of the dismissal? Also majority of the umpires today go upstairs, even if they have the slightest of doubts about the dismissal, which is unnecessary.

Then comes the DRS. Though majority of the teams have embraced it, India still doesn’t look convinced. The reason being that the DRS isn’t completely foolproof. It may look like the Indians are ignorant, but there is enough logic to support their stance.

Primarily, only two referrals are allowed per team. So even though you’re not out, you have to abide by the wrong decision of the umpire because your team has already used two of the referrals and vice-versa. As rightly questioned by M.S. Dhoni, the Indian captain, why shouldn’t the referrals be unlimited? Then there was this controversy that Hotspot failed to detect faint edges if the bat is coated with Vaseline.

Finally, given below are the criteria for referring a LBW decision (as given in Wikipedia).

When a not-out LBW decision is evaluated, and if the replay demonstrates the ball has made impact more than 2.5 m away from the wickets, various additional criteria apply to account for the uncertainty of the ball's potential direction after pitching. For example, if the ball pitches more than 2.5 m from the wicket and travels less than 40 cm before hitting the batsman, then any not-out decision given by the on-field umpire stands. It has also been decided that if the batsman is more than 3.5 m from the wicket, then not-out decisions will stand. The only picture in which an LBW decision will be reversed in favour of the bowler is if the batsman is 2.5–3.5 m away from the wicket and the ball travels more than 40 cm after pitching before hitting the batsman. In that case, some part of the ball must be hitting the middle stump, and the whole ball must be hitting the stumps below the bails; otherwise, the result is again inconclusive and the call stands. In cases where the original decision is out, the 2.5 m or 40 cm distances do not apply, as in that state Hawk Eye must show the ball to be completely missing the stumps in order for the umpire to undo his decision.

The controversial Ian Bell LBW referral during 2011 World Cup
Simply said, if Hawkeye is also inconclusive, the on-field umpire’s decision stands, which defeats the purpose ultimately!

Evolution of the game

The way the game has been played has never remained the same. Be it the introduction of 50 overs cricket, or the T20 format, cricket has come a long way from where it started. Yes it is highly important for the game to evolve according to it’s current needs, but it should never change so much that it becomes something different altogether.

The batting has undergone a complete changeover. The T20 format has not only introduced shots like switch-hit, AB scoop and paddle sweep which are completely unorthodox, but also morphed this game into something,which is more like baseball. It’s not that innovating is wrong, but innovations shouldn’t completely take the essence of the game away .

The bowling is no exception. Recently, in both the series against South Africa and Australia, we saw Ravichandran Ashwin bowl leg-breaks! Many would see this as a show of variation, but he bowled an entire over of leg-breaks  to Hashim Amla and AB de Villiers, during the fourth test match against South Africa at Delhi. Having tricks up your sleeve is fine,but totally changing your bowling style is quite unasked for. It would only be a matter of time before the batsmen pick it up and hit you all around,or you try too much and end up with the beautiful off-spin gone forever from your skill-set. The modern day bowlers also suffer due to batsman friendly pitches, prepared for the sake of entertainment.

And lastly, we take a look at the way the international matches are scheduled. For an instance, take the case of our own Indian team. They are currently playing 3 T20s against Sri Lanka. This series was preceded by a limited overs tour of Australia(5 ODIs and 3 T20s) and is going to be succeeded by the Asia Cup T20. It doesn't end there. The Asia cup is followed by the T20 World Cup in March and then you have the IPL. It was announced by the ICC that the Asia cup which was previously a 50 over affair, will be played on rotation basis in ODI and T20 format based on respective next world events under the ICC. This means that the 2016 and 2020 events will be played using the T20 format, ahead of the 2016 and 2020 World T20s, and the 2018 and 2022 events will be played in ODI format, ahead of the 2019 and 2023 World Cups respectively. T20 sure is exciting, but numbing the fans with only one format for majority of the year, is unjust.

So it remains to be seen where the line is drawn, and when. The sooner the better. Because, we wouldn’t want either the picture perfect straight drive, or the stunning yorker , to reach the video archives in the future.

Monday, 25 January 2016

The Cup Of Joy

          What if the 2011 Cricket World Cup was made into a film?

THE CUP OF JOY (2011)

| 43 Days|  Action, Adventure|19 Feb 2011 (IND,SRI,BAN)



It’s been 28 years since the last world cup victory. Can Dhoni’s Devils live up to the challenge and bring home the cup that counts?











             Writers:

             MS Dhoni, Yuvraj Singh, Zaheer Khan and the Indian Team

               CAST & CREW:

               Main Cast

            India, Australia, South Africa, England, Pakistan, West Indies, Sri-Lanka, New-Zealand

            With Cameos From

            Bangladesh, Zimbabwe, Canada, Kenya, Ireland, Netherlands and Sreesanth
            
            Director: Gary Kirsten
            
            Production : BCCI

            Cinematography : ESPN-STAR Network
            
            Music : Harsha Bhogle, and the team of commentators (Danny Morrison excluded).
   
            Storyline :
             28 years after the Indian victory led by Kapil Dev, the Indian team faces an uphill task of winning the worldcup on home                    soil. In comes M S Dhoni-The Man with the Midas Touch. How Dhoni, along with Yuvraj Singh ,Zaheer Khan and co. lead                    Team India to glory forms the rest of the storyline.  
            
            Taglines:
              The Cup that Counts
            
            Genres:
               Action | Adventure | Sci-Fi (Unless you count the DRS out!)

            Details

            Official Sites:
               www.bcci.tv
            Language:
               Cricket
            Release Date:
               19th February 2011
            Proposed Sequel :
                  T20 Cup of Joy (Expected to release in Summer of 2016)
            Also Known As:
               The Cricket World Cup 
            Filming Locations:
                India, Sri-Lanka, Bangladesh
            
           Box Office

            Budget:
               $50 Million (estimated)
    
           Company Credits

            Production Co:
                 BCCI Production for the International Cricket Council.

            Technical Specs            

            Runtime:
              43 days

Thursday, 21 January 2016

Soft Skills!

Anyone who watches cricket with more than a passing interest would be aware of the term ‘soft hands’ employed by the commentators. This term is, at present, associated with the batsmen and I expect it to be extended to bowlers in the future. Soft fingers would be more apt then, wouldn’t it?

Dravid is a fine exponent in the use of soft hands. Domestic competitions in India are played on matting wickets or on rank-turners that the batsmen eventually become masters of front-foot play. The same cannot be said of the back-foot. How can you expect that when the bouncers barely rise above the navel? Soft hands are vital to prolong your stay at the wicket. The wicket-keeper and the slips place themselves in relation to the bowler’s pace. The batsmen negate this carry by using soft hands which ensures that the ball lands short. This is perfectly understandable in case of front-foot play. But how do soft hands affect back-foot play? It has to do with the behaviour of the ball after impact. Imagine this scenario: you throw a ball against a big sponge and against the wall. The sponge absorbs the ball’s kinetic energy while the wall does not have any influence on it. If anything, the wall might increase it, very marginally. The same happens in cricket. Here, the bat held with soft hands acts as a sponge and that held with hard hands acts as a wall. The ball could balloon to the nearest fielder when defending a bouncer with hard hands. The bat should be left loose and hanging to absorb the ball’s energy thereby making it ‘drop dead’. The important aspect here is to rise above the ball’s bounce though. The ball has to hit the bat, and not your gloves. 

All of us are not fond of reading explanations, right? If all this matter-of-fact stuff flowed right across your brain, never mind. Just play the following video and notice his bottom-hand closely during shot-making.



I did mention 'Soft fingers'. If you had tried bowling, you would have experience with this idea. The ball when held hard in your hands at the time of delivery hampers your release-point and your release-time. You will end up pitching it halfway and if the surface is fast and bouncy, you might just get away with it. I wouldn't say the same for any other surface. You will get pulled and cut quite often! With soft handling, these errors could be corrected. Handle it too soft and you will be gifting the batsman an easy-to-score-off full-toss, or you could even hurt him!

I developed this concept and though I have no proof, I have personal experience. If you think of this concept as being flawed, I would very much like an explanation to this effect in the comment section.

Wednesday, 20 January 2016

Nebulae

Not many know that the stars in our sky start as tiny clouds of energy called Nebulae. Aggregation of nebulae eventually causes the formation of a star.

Similarly, not many know that our present-day stars were tiny nebulae in yesteryear films. Enlighten yourselves.

1. Ilayathalapathy Vijay:

We know Vijay as the mass action hero today. Little do we know that he began his career as a child artiste in the Vijaykanth-starrer Vettri (1984).
                             

2. R.Madhavan:

He is every girl's perfect boyfriend. Before he made that persona his own with Alaipayuthey (2000), he acted in a Hollywood film titled Inferno aka Operation Cobra (1997), as Ravi,Inspector of Police.


3. VTV Ganesh:
You might have seen him in Vettaiyadu Vilayadu (2006) as a henchman. Before his big break in Vinnaithandi Varuvaaya(both being Gautham Vasudev Menon-directed films),  VTV Ganesh debuted in the role of Madurai District Collector in the Ajith-starrer Red (2002).








Tuesday, 19 January 2016

Heard them somewhere!

While listening to a song,have you ever had the feeling "Hey ! I've heard this lyric somewhere!!! ". Well, if you did, that's because some of the Tamil song lyrics today have been inspired from dialogues from Tamil films.

Does that mean today's so called modern lyricists lack creativity?
You be the judge.

Here are a few songs to start with...

0.What a Karuvaad-  Vellai Illa Pattadhari

The title of the song is inspired by the dialogue - "Wow.. What a karvaad.." from the movie Singaravelan, starring Kamal Hassan and Khusboo.




 1. Saroja Samaan Nikalo-Chennai 600028

The director of the film -Venkat Prabhu himself revealed that this opening line of the famous song was inspired by the dialogue "Sushma, samaan nikalo" from the film Mudhalvan, starring Arjun and Manisha Koirala.




2. Nee Enna Periya Appatakara-Ennamo Yeadho

This here is kind of a double whammy! The name of the film by itself is inspired from the song "Ennamo Yeadho " from the film Ko. The line Nee Enna Periya Appatakara in the movie is inspired by the famous dialogue of the same name from the movie Boss Engira Baskaran.











Cricket- A gentleman's game(?)

“It’s about…. You go for a catch, you miss, everyone says, “Wow, great effort”. But for that catch to be taken…what was your acceleration ...